Quentin Beck | Mysterio (
mysterioisthetruth) wrote in
maskormenacelogs2019-09-07 06:30 pm
Entry tags:
Being Spider-Man's legal guardian is tough work...
WHO: Peter Parker & Quentin Beck
WHERE: At Beck's apartment, De Chima
WHEN: Just after David leaves
WHAT: We need to talk. Again.
WARNINGS: Manipulative tactics; emotional abuse; the usual FFH spoilers.
After being confronted by David, Beck was rattled. He could ruin everything. Both David and Marco - he regarded them as troublemakers, disturbing his peace. He felt his hold on Peter was already tentative and could break at any time but these two were actively cutting the string and he was losing control of this entire scenario - and he hated that more than anything.
He could do very little about it. They would likely both talk to Peter, but he hopes that the teen arrives home very soon, so he can get a chance to say something first.
And so he waits, orders the usual batch of pizzas and attempts to look less stressed out. It doesn't work entirely and once Peter shows up, it is clear on his face that something is wrong.
WHERE: At Beck's apartment, De Chima
WHEN: Just after David leaves
WHAT: We need to talk. Again.
WARNINGS: Manipulative tactics; emotional abuse; the usual FFH spoilers.
After being confronted by David, Beck was rattled. He could ruin everything. Both David and Marco - he regarded them as troublemakers, disturbing his peace. He felt his hold on Peter was already tentative and could break at any time but these two were actively cutting the string and he was losing control of this entire scenario - and he hated that more than anything.
He could do very little about it. They would likely both talk to Peter, but he hopes that the teen arrives home very soon, so he can get a chance to say something first.
And so he waits, orders the usual batch of pizzas and attempts to look less stressed out. It doesn't work entirely and once Peter shows up, it is clear on his face that something is wrong.

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And just like that, the simmering rage returned. He thought of how Peter had interfered. How he wouldn't quit and wouldn't leave it be when told to. Even getting hit by a train wouldn't stop his sense of heroics and he just kept coming back and messing with all of the years of planning that Beck had set up.
He clenches a fist by his side, a clear sign of his building anger.
"Peter," he says the name coldly and in measured words the next part. "I'll tell you this once and once only. You go to your room and you don't come out until I tell you to. Understood?"
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But - really? Being told to go to his room at the end of all this? Are you kidding him? Ironically, it drains some of the anger out of him in turn. Just too ridiculous for him to see it as a threat.
"You're way too into this," he says. "I'm going back to Nonah, okay? If anyone gives you trouble, I'll tell them I was here."
Meaning the paperwork police, or CPS, or whatever.
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“See you later, Beck,” he says, turning back towards the door. “Don’t blow up any more of De China.”
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As if to punctuate his words, the ground in front of Peter has abruptly turned into an abyss. One step forward and it looks like a long, long fall...
Beck had been quick to deploy his tech once Peter had turned away. This would all probably feel very familiar and maybe Peter's senses could counteract it - if Beck gives him any time to sort through the abundance of data that he's now going to throw Peter's way.
The nightmares will be turned up to maximum, as Beck hopes to disorient Peter enough to prevent him from leaving.
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He whirls back towards Beck at that. Trying to swallow back the panic rising up to meet him. How long has the illusion been in place? Had Beck set it up from the beginning? Where even is he right now? Stay calm, dammit, just get out of here.
“What the hell are you doing?”
Last chance for any benefit of the doubt, Beck. From here the bridge is on fire.
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Since Marco's break in, Beck has been working on having this place fitted out with all that he needs for these illusions - intended as traps for other would-be intruders. Nearly always wearing the access to his tech system, it's easy enough to trigger it.
"Now, stay in your room, Peter, and we'll have no more trouble tonight."
He sends signals to attempt to convince Peter's brain that the door is locked, if he tries it.
cw: body-horror
He rushes forward to the door, pulling on it. The illusion does a great of convincing his senses that it's locked, yes. He fumbles with it for a moment, struggling to open it. Then he tears the entire goddamn door off its hinges. Sort of shoving it aside for a moment, towards the "bed" in his illusioned room. And with the door gone he's going to just leave. Screw all of this. He shouldn't have tried in the first place.
Except - when he moves to step out, the scenery outside appears to change too. The quiet De Chima night dissolves into nothing, replaced by the orange tones of an alien world. Wreckage strewn everywhere, the remains of a moon in the sky. And the instant Peter crosses the threshold even a little, a thin cloud of dust rises from his wrists. He flinches instinctively, stumbling back into his room and tripping over the door he just pulled off its hinges. All right, now he's about two seconds away from a panic attack. Even the knowledge that he can't possibly be on another planet isn't enough to keep his sympathetic nervous system from screaming at him as soon as he sees the tips of his fingers crumbling into dust. For a moment, it's all he can do to hold his hand to his chest, as if that will slow down how fast it dissolves.
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He's wary of Peter's senses and how he could combat the illusions in the past so he ratchets this up even further, pushing the brain to dredge up more bad memories. He feels that, while cruel, it has to be done to ultimately keep Peter safely where he is...
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Something metallic screams through the air. It misses Peter by inches, but then again that's not what it was going for, was it? Instead it hits the four pillars holding up the warehouse ceiling. Peter gets only a split second to cry out before the concrete above him comes crashing down, pinning him to the floor with unspeakable weight. (It's not real, he tries to tell himself, but Beck's tech calls up the memory of pain, horrific pressure, being unable to breathe through the concrete dust choking him--)
It's all he can do to lie there for a moment, every one of his senses (except one) telling him that he's definitely buried under literal tons of metal and concrete. Beck has him stopped for a moment; he can't seem to move. Instead he gasps for breath, his incipient panic attack happy to provide paralysis and an inability to breathe that perfectly matches the "weight" of the concrete.
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There's very little compassion from Beck, even if he doesn't want Peter to die. He feels he's brought this upon himself by disobeying Beck's orders and so punishments must be dealt out.
David was right that none of this was for Peter's benefit. Nothing in this really helps Peter. It only serves Beck's own satisfaction that he has this control over the environment and Peter's thoughts. There was only the barest twinge of feeling sorry for the boy, that he had to make him go through this. But any sympathy was overridden with the thought that this was a very successful test of the updated equipment.
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How had he done it before? He'd focused on his spider senses to exclusion of everything else. Tellingly, his senses aren't actually broadcasting any danger, despite the improved quality of the illusions. He can't see through them either, but his spider senses aren't quite fooled. That's the key, right? There's only one thing in here that's actually dangerous, and that's Beck himself.
As if responding to his thoughts, Beck materializes out of the rubble above where Peter is crouched. Not the real Beck - an illusioned one, in full regalia and fishbowl helmet. Alternate Beck scoffs down at him, trailing green fire from his fingertips. "You," Peter gasps out. "Why the hell do you even want this? Why do you care?"
They could have gone their separate ways at the very beginning. At any point since then. Or even struck up something like a friendship with the appropriate distance. But no, Beck had gone for the controlling angle. Peter doesn't get it.
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But he'd also asked questions. Why did he want this...?
He speaks aloud then, the voice projecting across to the false Mysterio as if it's really coming from him.
"You still don't get it, Peter. You have power; admiration; friends. Everyone loves you. Everyone protects you. What do I have? I have this."
The illusion of Mysterio transforms into a grand Mysterio statue that Peter has seen before.
"I can make people see what I want them to see but it isn't enough here. There's too much doubt and you compounded this by telling everyone what I did to you before. You never really gave me a chance. You stacked the odds against me from the start." The blaming of others returns and with it, images of piles of random things piling high and stacking on each other surround Peter until they all fall in Peter's general direction.
"Maybe I wanted to bring you down to my level. Maybe I wanted you to see what it was like to have nobody but yourself to rely on, because that's what you have right now, Peter. You only have yourself."
Was he trying to teach another lesson here? Encouraging independence, even as he terrorised the poor boy.
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That chance is much slimmer with the bridge between them actively on fire, but. That's all Peter really wanted out of all of this. For Beck to figure himself out and not be a threat to the rest of the imPort population. For that he's had a whole hell of a lot of people call him stupid, or ask why he keeps doing this, and ... and apparently he was just wrong, flat out. God. That almost hurts more than the nightmare surrounding him.
As more of those piles start crashing down, Peter flicks out his wrist, aiming a web out at the statue in front of him. His instinct is to swing, move, get out of the way - but the web stops somewhere short of actually hitting the statue. His eyes tell him it keeps traveling, but his wrist - his wrist feels the way the web gets taut long before it ever gets close. What has he hit? A wall? That ... gives him an idea, actually. He slings out a web behind him in the opposite direction, this time paying attention to how long it takes to go taut. Less time, so that wall is closer. It's the world's crudest form of echolocation, but it works, doesn't it? If he can orient himself in the room then he can get the hell out.
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But Peter's words resonate in his head. ... you could've been a hero. Still can...
"You and your new friends. You ruined my second chance at being a real hero. Don't you think it's already too late for me? Everybody else tells me I'm the villain and maybe I should just embrace that destiny."
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"You could've been," Peter says firmly. "Right up until the part where you decided controlling me was more important." He can't (and doesn't) blame anyone for getting involved at that point.
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Beck steps forward, but is it the real one? He's dressed casually, as he was when Peter arrived.
"Sorry won't be enough this time, will it?"
This isn't the real Beck. He's up against the wall, cloaked by his tech, and slightly concerned now for his own safety. It's why he's letting his illusion speak for him.
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On some level, he ought to be grateful, he supposes. He's definitely going to find David and Marco later ... assuming he gets out of this alive, anyway. If he can't find the real Beck soon, he might really get hurt here, and not just traumatized.
"You're pretty far past sorry," he says, his breath still coming out in gasps. "Everyone thinks I'm stupid for even letting you get this far."
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"But I guess it's not to be."
The Beck before Peter shimmers in blue streams of code and vanishes. The room is empty again and silent for a moment. Then Beck's voice echoes around the room.
"Never forget what we could have had."
And the scene changes into a tech lab with fancy equipment and everything they could want to research and test things. On a bench is a stack of pizzas and images of Peter and Beck seated before it, casually laughing together as they work on something.
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He straightens a bit. Still feeling the webs around him, trying to relax into his sense. How had Kylo put it? Impose control on his senses. Push his focus out beyond himself. Breathe.
“I’d rather have Stark.”
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"You still want Tony Stark? After all I've done for you?" Gone is the soothing or even demanding tones, to be replaced with pure, genuine rage. "You're so ungrateful, Peter. Stark did nothing but hurt you and you can't see that."
Images of Tony appear now, corrupted and damaged, like some bad computer code that can't quite form into a whole picture. Tony's face glitches in and out and the scene seems to have gotten out of control. Beck's emotional outburst feeding into the tech and snippets of Tony's MIT talk filter through, then a younger Beck looking very insulted and angrily muttering: 'BARF...' It's followed by Tony's voice, faintly, ordering him out: 'You're unstable, Beck. You need to go... I want you out of here today...'
But this is not what Beck wants Peter to see. He'd totally lost control over himself for a moment, allowing the tech to pull from his own memories. That won't do. he'd have to fix that... In a panic briefly, he fiddles with his wrist device and just for a moment, he can be physically seen as the room shifts in and out of focus, attempting to find more bad memories from Peter.
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But this has already collapsed. And - that’s an opening he’s going to take. He’s startled by the gap in the illusion, but super reflexes save him from delaying too long. One of those webs he’d slung out earlier has attached itself to the actual door to that room that Beck had wanted him to stay in. So - he pulls on it, hard, tearing it off its hinges and pulling it towards Beck’s back none too gently.
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Peter could easily use the opportunity to get out while he can or he could check on Beck to see how badly he may be hurt.
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He takes a moment to detach the rest of the of the webs currently attached to him. Then he slings one web out through the open door, towards the railing on the outside of Beck’s apartment. That way if the illusions start back up, he still has something physical to follow out. And then ... he stoops next to Beck, moving the door off him and checking him to see how badly he got hit. Hardly daring to breathe, terrified that he’s managed to kill the man. And terrified that he hasn’t.
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Beck grimaces, in pain and likely needing some medical attention but he'll live. The door had hit him flat on the back so he'll have bruising for sure and it has jarred his entire body.
His eyes flick toward Peter. There's a small shake of his head.
"Peter...," his breathing sounds a little hoarse; a little strained.
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“I’m gonna call 911,” he says. And that will probably backfire spectacularly if Beck takes the opportunity to report this imPort teenager for attacking him in his home, but. It’s more important to him that Beck lives; it’s what he should have done for Beck in London. “And then I’m leaving.”
And - hell, he’s not sure what happens next. He can’t go back to Thor’s place; Beck knows about that address. Maybe there’s somewhere else in De Chima he can hide out. Somewhere off the grid, where he’d have someone who’d be very willing to fuck up anyone who comes along to hurt Peter...
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He just knows he's failed. Failed to win Peter over and failed to make him stay, by force or coercion.
He makes a soft, choking sound then coughs, wincing again.
"You win, Peter," the words are barely a whisper.
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“This isn’t a win, Beck,” he says. Backing towards the door, following his web out. Even now he doesn’t quite trust his senses. “Just - just leave me alone.”
He’s going to get the hell out of here. Call 911 and figure out what the hell he’s going to do next.