Persephone, the Destroyer (
pummelgranite) wrote in
maskormenacelogs2017-02-05 04:38 pm
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February Open Prompts/Catch-all
WHO: Persephone vs everyone
WHERE: various cities
WHEN: through February
WHAT: A few prompts, please poke me if you want something else
WARNINGS: discussion of violence/depression/disordered eating likely as always
A. Nona- A Strange Performance in a Tiny Jazz Club
[ It's not her typical venue, not by a long shot. It's a small space, with a simple stage. She even lets them use their own lights instead of miracling up herself something more impressive. There's no dance floor, and they hardly advertised for her at all. It's more a jazz club than anything else, too small for her sound, really. But that's alright. She's not here to perform her normal mass.
She isn't in high heels, or armor, or war paint. Rather, she comes out in a simple black dress and veil, ornamented with white flowers. What she sings is no persistent climax. The rage and defiance and violence usually typical of her songs is missing as well. Instead, it's something bittersweet and heart-wrenching. It's like an intimate aria sung in that same untranslatable language, but the message is clear: winter will always fade, spring will always come, but there are still so many things lost that can never return. Just because spring is coming, does not mean you will live to see it.
The piano and cello duet that follow her aren't bad either. After her performance, it might seem like anyone else would pale in comparison, but if anything the opposite is true- they, too, sound breathtakingly beautiful in the space that she's blessed. The goddess herself makes her way to the bar. Her normal companions seem absent, and most of the patrons don't dare to make eye contact, let alone approach. Do you? ]
B. The Hotel Castille lounge/lobby, evening
[ Persephone WAS at the bar. But now she's in the beautiful, glittering lobby. She is sprawled in a chair that looks like it cost several normal human's paychecks, in a way quite disrespectful to the quality of the upholstery. Her feet dangle over the back, and her head hangs towards the floor. There's a soft cloud of colorful hair beneath her. In her hands is a notebook, and in her mouth is a pen. Every once in a while she takes the pen out of her mouth to jot something into the notebook, but mostly she's just chewing on the pen.
C. Maurtia Falls Art Museum, reasonable business hours
[ If one were to happen into the museum that day, it would be hard not to miss her. She parks herself on a bench in front of a particular piece of art, and doesn't move for over an hour.
The art in question is probably no surprise- it's a Renaissance work by a not-so-terribly-famous artist, depicting Orpheus playing for Hades and his queen. There are headphones in her ears, and the only sign she gives that she's not a statue herself is pulling out her phone every so often to change her music. ]
D. South Maurtia Historic Cemetery - literally any time you'd like, day or night
[ What the fuck is she doing now? Is she sleeping on a grave? It's a single grave in a family plot, but the headstones are all so old that the names have long since faded. So... yeah. Sleeping on someone's grave. Cool, cool, cool, cool, normal. ]
WHERE: various cities
WHEN: through February
WHAT: A few prompts, please poke me if you want something else
WARNINGS: discussion of violence/depression/disordered eating likely as always
A. Nona- A Strange Performance in a Tiny Jazz Club
[ It's not her typical venue, not by a long shot. It's a small space, with a simple stage. She even lets them use their own lights instead of miracling up herself something more impressive. There's no dance floor, and they hardly advertised for her at all. It's more a jazz club than anything else, too small for her sound, really. But that's alright. She's not here to perform her normal mass.
She isn't in high heels, or armor, or war paint. Rather, she comes out in a simple black dress and veil, ornamented with white flowers. What she sings is no persistent climax. The rage and defiance and violence usually typical of her songs is missing as well. Instead, it's something bittersweet and heart-wrenching. It's like an intimate aria sung in that same untranslatable language, but the message is clear: winter will always fade, spring will always come, but there are still so many things lost that can never return. Just because spring is coming, does not mean you will live to see it.
The piano and cello duet that follow her aren't bad either. After her performance, it might seem like anyone else would pale in comparison, but if anything the opposite is true- they, too, sound breathtakingly beautiful in the space that she's blessed. The goddess herself makes her way to the bar. Her normal companions seem absent, and most of the patrons don't dare to make eye contact, let alone approach. Do you? ]
B. The Hotel Castille lounge/lobby, evening
[ Persephone WAS at the bar. But now she's in the beautiful, glittering lobby. She is sprawled in a chair that looks like it cost several normal human's paychecks, in a way quite disrespectful to the quality of the upholstery. Her feet dangle over the back, and her head hangs towards the floor. There's a soft cloud of colorful hair beneath her. In her hands is a notebook, and in her mouth is a pen. Every once in a while she takes the pen out of her mouth to jot something into the notebook, but mostly she's just chewing on the pen.
C. Maurtia Falls Art Museum, reasonable business hours
[ If one were to happen into the museum that day, it would be hard not to miss her. She parks herself on a bench in front of a particular piece of art, and doesn't move for over an hour.
The art in question is probably no surprise- it's a Renaissance work by a not-so-terribly-famous artist, depicting Orpheus playing for Hades and his queen. There are headphones in her ears, and the only sign she gives that she's not a statue herself is pulling out her phone every so often to change her music. ]
D. South Maurtia Historic Cemetery - literally any time you'd like, day or night
[ What the fuck is she doing now? Is she sleeping on a grave? It's a single grave in a family plot, but the headstones are all so old that the names have long since faded. So... yeah. Sleeping on someone's grave. Cool, cool, cool, cool, normal. ]
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He fluffs up his feathers a bit and eyes her warily. Are there any more vines forthcoming? Or ... did she actually help him just now? ]
1/2
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It's enough to make him go still. Feathers defluffing, hackles settling. He glances down at the prize he'd been fighting with the crows over: a brightly colored cellophane package with some abhorrently sweet snack cake inside. Before he can change his mind, he flutters closer to her, dropping the package with a faint splat. ]
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Nuh uh, don't you start. Shoo.
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When the carnage is done, there's still a dollop of cream on his beak. Which he wipes at awkwardly with his wing. All while continuing to watch Persephone warily, like she's going to change her mind and hurt him or something. ]
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Weird bird.
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He flaps to her hand, being exceedingly careful not to so much as prick her with his talons. And fluffs up a bit in an avian sort of sigh. Of course he's a weird bird. What did you expect? ]
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He lets his eyes close after a moment. And a soft little trill of contentment escapes him. Stupid bird brain really enjoys having its feathers scritched. He's completely soft and downy, more like a songbird than a falcon. ]
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But it's nice, its calming for her as well, so she continues the sketches. ]
Not very smart either, are you?
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Smarter than any other bird you're going to meet.
[ But apparently not smart enough to keep his mouth shut. His voice is, at least, very difficult to recognize as Miles'. Thinner, reedier, with most of his Barrayaran accent muted by the chirrupy undertones to his voice. ]
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[ She startles back, snatching her hand away. Then the accusation comes, scandalized: ]
You're a fucking imPort!?
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N-no! No, I'm not.
[ That was an even stupider thing to say, probably. But everyone else he'd pulled this with had assumed he was just a talking bird. ]
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I'm a pet. He made me this way, don't blame me.
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Bull. Shit. Who did?
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Gregor. Gregor did.
[ Nailed it. ]
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Don't ask me how. I don't remember what it's like to be a normal bird. Just him staring at me.
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Creeping on what, exactly. I was trying to eat breakfast.
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