Nick Burkhardt (
connate) wrote in
maskormenacelogs2014-06-04 12:53 pm
Entry tags:
i tried to find lyrics
WHO: NICK BURKHARDT and LYDIA MARTIN
WHERE: A shifty back alley!! The usual.
WHEN: Evening, 06/04.
WHAT: Introductions via corpse-radar.
WARNINGS: Currently none!
[ It's not like Nick prefers getting called in for murders, but— actually, yeah, he kind of does. He put in due time with minor complaints and being dragged out at odd hours of the night to follow up on "disturbances" years ago, and falling back into the old routine takes some getting used to.
It's easier to remember why he bothered when he speaks to the woman who made the call. While he's 90% sure there's nothing to it, her concern's real enough; speaking to a cop (an import, no less) helps ease it, and he leaves her with the reassurance that he'll make sure the neighborhood's clear. He's checking the last alley in the row of houses when he hears something and freezes, breath going shallow while he listens, hand hovering just over the holster of his gun.
While he's focusing on the sound, his pulse slows. Slows enough to stop, if only for a few long seconds; his temperature drops with it, skin going white. The loud clatter of a raccoon knocking the lid off of a trash can snaps him out of it, pulse skipping back up to speed and color settling back into his features. His deeply annoyed features, of course; good news for the woman, obviously, kind of a joke for a cop who's used to dealing with legitimate homicides.
The second sound registers half a second after he drops his guard. Nick turns quickly, glancing down the alley, and this time he does draw his gun. It's an instinctive gesture, but the barrel's kept low, aimed towards the ground. ]
Who's there?
WHERE: A shifty back alley!! The usual.
WHEN: Evening, 06/04.
WHAT: Introductions via corpse-radar.
WARNINGS: Currently none!
[ It's not like Nick prefers getting called in for murders, but— actually, yeah, he kind of does. He put in due time with minor complaints and being dragged out at odd hours of the night to follow up on "disturbances" years ago, and falling back into the old routine takes some getting used to.
It's easier to remember why he bothered when he speaks to the woman who made the call. While he's 90% sure there's nothing to it, her concern's real enough; speaking to a cop (an import, no less) helps ease it, and he leaves her with the reassurance that he'll make sure the neighborhood's clear. He's checking the last alley in the row of houses when he hears something and freezes, breath going shallow while he listens, hand hovering just over the holster of his gun.
While he's focusing on the sound, his pulse slows. Slows enough to stop, if only for a few long seconds; his temperature drops with it, skin going white. The loud clatter of a raccoon knocking the lid off of a trash can snaps him out of it, pulse skipping back up to speed and color settling back into his features. His deeply annoyed features, of course; good news for the woman, obviously, kind of a joke for a cop who's used to dealing with legitimate homicides.
The second sound registers half a second after he drops his guard. Nick turns quickly, glancing down the alley, and this time he does draw his gun. It's an instinctive gesture, but the barrel's kept low, aimed towards the ground. ]
Who's there?

no subject
she slams her pencil down on the table and stands suddenly, looking pressed. ]
We’re done for today.
[ when the students evacuate, she turns towards the window and watches dusk settle in. her lips purse, worrying, and she inclines her head, a begrudging acceptance of what she knows she isn’t going to be able to just ignore. ]
This will go well.
[ sarcasm aside, she dips out of the library and grabs the janitor’s walkie-talkie from his abandoned cart. she opens up the back and starts adjusting the settings, tuning it in an attempt to break into a coded frequency. finally, she hears voices coming through. a woman’s voice—making a complaint, giving an address.
that’s her first clue that this is … abnormal. it’s not the freaking police scanner she’s supposed to tune into, but looking around, she realizes that the walkie talkie hasn’t actually done anything. no one else is hearing what she’s hearing. it’s just … if there’s already a call to the police, what is she supposed to do about it? that’s not close to death, that’s already dead.
but she scribbles the address down anyway, holding the torn piece of paper as she comes to a stop at the other end of the alley. she shoves it into her pocket. ]
Where is it? [ she turns, marching down the alley towards the next row of houses. navigating around garbage bags works well for a moment, hidden behind a dumpster, but then she knocks some huge plastic—whatever. something off hsn—off a pile of bags when she stumbles, and she looks up just in time to be greeted with a man holding a gun. lydia’s hands shoot up in a gesture of surrender. ] Wait! Don’t shoot!
[ she misses the days she wasn't kicking around through garbage, hunting down dead bodies and running into people with guns. goddammit, scott mccall, this one's on you. ]
no subject
When his gaze settles back on her, he (somewhat belatedly) remembers to retrieve his wallet from his jacket and flip it open. The badge catches the dim light of the nearby streetlamps, and he holds it steady while he speaks, giving her a chance to process it. ]
You're out here by yourself?
[ Why is what he wants to ask, though it's not like there's anything strictly odd about it. Ill-advised, maybe, but not illegal. ]
no subject
[ delivered with wry sarcasm, she doesn’t even try to register it as honesty. she straightens, smoothing her skirt and flipping her hair so she can regain her dignity from … panicking. throat cleared, she moves on to something more honest. ]
Yes, I’m alone. [ let’s state the obvious. she looks him over, taking in the badge, considering him, and then it clicks. the static of the police scanner. he’s the one she’s looking for. ] Who are you?
no subject
Nick Burkhardt. I'm with the police. [ Speaking of stating the obvious. It's autopilot at this point, showing the badge and stating it clearly. He steps forward as he's speaking, though he doesn't close the distance between them— he pauses a few feet off, gesturing towards the alley behind him that leads back towards the main road. ]
We should get you home. And if you're planning on taking more evening strolls, I'd stick to somewhere with better lighting.
[ There's a patronizing element to it, well meaning as it is. It's clear that he's used to people following his lead without asking questions, though; kind of comes with the territory of being a cop. ]
no subject
[ she says it in a hurry, but she doesn’t expand because she certainly doesn’t feel like figuring out how to say i just have this feeling you’re going to die to a police officer. that sounds like a good way to get arrested—or worse, committed. ]
And I’m not going anywhere. If someone wanted to assault me, I doubt a street lamp would stop them. [ get that behavior policing shit out of here lydia is having none of it. ]
no subject
Nick eyes her for a second, hesitating on a question. Except they're in Heropa, right? Everyone has powers. Secrets are a thing of the past. ] You think your abilities will keep you safe.
[ Not technically a question, but it's meant as one, tone searching rather than skeptical. ]
no subject
no subject
[ Not what he was expecting. Still no skepticism, though; just a trace of confusion, and even that doesn't last long. ] There's nobody here. I've done a check of the entire neighborhood, so unless you're talking about one of the houses—
[ Rolling with it, why not. He's seen enough Wesen with strange abilities to know better than to argue. ]
no subject
Oh, there’s someone here. [ she arches her eyebrows and inclines her head. there’s him. ]
no subject
You mean me?
[ There's a trace of ego in that remark, the confidence that he's not in any danger. It also crosses his mind that her efforts are a bit too little, too late, technically speaking. There's no humor in the thought, and he quickly pushes it down in order to attempt a reassuring response. ]
I appreciate the concern, really, but I'm pretty sure I'm still alive. [ Assuming she's looking for a corpse, anyway. Except she'd said going to, so after a short pause: ] And I can take care of myself.
no subject
[ okay, that definitely sounded like a threat. she cringes, frustrating mounting, evidently holding herself accountable for how flustered she is and how poorly that came out. ]
It’s not wrong, okay? It’s never wrong. Ever. [ she shifts, souring a little bit as she admits. ] They’re just usually not so … alive when it’s like this. I have to try harder.
no subject
He doesn't wait for an answer, and after a short pause his head tilts slightly, eyes narrowing in thought. She's here looking for a corpse. And he's not a corpse, not right now, but his medical charts have been off since... well. ] How does it work?
no subject
It’s just a feeling. Sometimes I hear things. But it’s always the same, always when people are close to death or—or already gone.
no subject
At least not in Portland. Maybe it is something you just tell people in some weird retro America full of superheroes, so after a stretch of indecisive silence: ]
I'm already dead. Or I was, but now I'm not, so— I'm fine. Nothing's going to happen. [ He sounds reasonably unthrilled with how ridiculous that sounds out loud, but there's no hesitation or doubt in his voice. ]
no subject
[ the assumption she makes is not the right one, nor the most comforting one. she’s heard ghosts before, ok. lots of them. her glance around represents a pressing worry that he's not actually here or something, and she's simply talking to a shade of someone who she was too late to help. ]
no subject
I was brought back. I have... [ Gentle way to put this. ] Symptoms, but I'm fine. Completely alive.
[ "Symptoms". He doesn't actually put any stock in it, but he's not going to accuse Juliette of outright lying. ]
no subject
[ That sounds way more sexual than it actually was, which is surprising because usually with Lydia it’s exactly as sexual as it sounds. Her throat closes around the words, and they come out strained and snippy as a result. ]
What symptoms? Are you … falling apart? [ A beat. She holds up a finger, tilting her head and pointing at him, and then off to the side like hmm wait a minute. ] You’re not craving human flesh, are you?
no subject
No, I'm not craving human flesh. That wasn't even part of... I'm not a zombie. [ He sounds amused, though. ] Just— trust me on this one. I'm not in any danger. [ There's a pause while he considers her, clearly not entirely sure what to make of her. ] Come on. We should both get off the streets before I get another noise complaint.
no subject
Fine. But I didn't track you here from the library for you to be vague.