✨ℜeggie "ᴛʜᴇ ᴡᴏʀꜱᴛ" ℳantle✨ (
mantlepieces) wrote in
maskormenacelogs2016-04-12 10:48 pm
well, some nights I wish that this all would end
WHO: REGGIE MANTLE and ASSORTED.
WHERE: Various places!
WHEN: (Mostly) backdated to the first week of April.
WHAT: Reggie encounters a few disturbingly familiar strangers... among other things.
WARNINGS: Probable references to/mentions of underage drug use or drinking, canon-typical death/violence, and/or sexual implications. Will ETA as necessary!
KITTY JONES ▸ CASHING IN MY BAD LUCK | PULLPOINT
DICK GRAYSON ▸ BETTER THAN BEING IGNORED | PULLPOINT
ELSA BRANDT ▸ LEFT HIM FROZEN IN THE SPRING | POST-PULLPOINT
SASHA BLOUSE ▸ LEAVING ISN'T WHAT I CAME HERE FOR | POST-PULLPOINT
WHERE: Various places!
WHEN: (Mostly) backdated to the first week of April.
WHAT: Reggie encounters a few disturbingly familiar strangers... among other things.
WARNINGS: Probable references to/mentions of underage drug use or drinking, canon-typical death/violence, and/or sexual implications. Will ETA as necessary!
KITTY JONES ▸ CASHING IN MY BAD LUCK | PULLPOINT
- [ Reggie is not exactly a stranger to so-called "bad" neighborhoods these days anyway, because his cowardice all too frequently plays second fiddle to his impulsive poor decision-making. No one should wander around anywhere at night with pockets full of cash and painkillers, but leave it to Reggie Mantle to be reckless and desperate enough to find himself doing just that so he can turn that cash into fuel for another fix -- a common mistake in result of being too singularly focused to apply common sense to his actions. Between his sharp haircut and clothing he looks like someone who would be carrying money, too, despite the sullen way he slouches while he walks or his unfocused, dead-eyed gaze.
Despite his nerves and paranoia, Reggie is distracted tonight, lulled into the mental trap that routine can present where someone expects things to play out the same every time if they've done it enough times. His hands are buried in his pockets, expression blank but wary as surveys the area trying to determine which direction to go in or who to talk to, then pushes impatiently past a young girl when he finally makes a decision. ]
Get outta the way, kid. Ain't it a school night or something?
[ Like he's one to talk; it sure is a school night for him. ]
DICK GRAYSON ▸ BETTER THAN BEING IGNORED | PULLPOINT
- [ With his attention so fixed on his phone the way it is it's amazing Reggie can see where he's walking at all, but somehow he seems to manage going forward in a relatively straight line without crashing into things. Or maybe it's just one of those essential skills teenagers pick up through practice or osmosis.
Regardless, he does look up at some point, having seen something out of the corner of his eye that merits a double-take. Well, someone, rather -- a stranger that's still weirdly familiar in some way, and it distracts Reggie enough trying to stare and figure out why he's familiar that now he crashes, getting hit hard in the face by a door as someone exits a store right in front of him. ]
Son of a-- [ Thanks a lot, handsome stranger, now he's going to get a black eye. ] Ow.
ELSA BRANDT ▸ LEFT HIM FROZEN IN THE SPRING | POST-PULLPOINT
- [ It's been a rough couple of weeks, and though Reggie doesn't have many people here he would (or could) really call "friends," those that might come close have been... well, some manner of unreachable as of late. Between Sasha disappearing and whatever the hell happened to Elsa, things had not only been a little more isolated than normal -- not that Reggie doesn't extend the effort to isolate himself half the time -- but also weird, unpleasant and confusing.
Par for the course around here in a way, but not in the way Reggie is used to. Maybe part of it is the damage to the ego being forgotten or ignored results in, but there's something else, too, that's harder to place -- a general, sinking anxiety that just orbits Reggie as he continues to flip-flop indecisively between being uncomfortable or relieved at how much more powerless each passing day makes him feel... basically, it's complicated. It both sucks feeling like life is totally out of control, and feels nice not to have to worry about responsibility or fault.
When he isn't out distracting himself through work, school, or otherwise, he spends a lot of time holed up in his room surrounded by dark and silence, usually in some state of sedation so he doesn't devour himself with his own nerves and paranoia. Today, though, Reggie can't tolerate being stuck inside, no matter how tempting it always is to just stay in and avoid reality -- but he doesn't want to deal with the hassle of going to school either. He doesn't really know where to go or what to do, so he takes off outside in some random direction until his legs and feet start to get sore, assuming maybe they'll know better where to go than he does. ]
SASHA BLOUSE ▸ LEAVING ISN'T WHAT I CAME HERE FOR | POST-PULLPOINT
- [ It had been difficult dealing with Sasha leaving again, as much as Reggie tried not to react or be affected. He is, of course, more sensitive and emotive than he would freely admit, partially because he is a teenager and also capable of general empathy, despite once again how he presents himself. After what he's done and lost before, he's even more violently resistant than usual to allowing expectations to build up, either his own or anyone else's of him.
It's an impossible standard to maintain that's only, ultimately, twisting up his thoughts even more, but mental traps are always like that -- they seem like they'll help, but only mask the destructive consequences behind what seems like coping mechanisms. Stupid to get attached. Stupid to get invested. Stupid to get upset. This world may be a reprieve of sorts, but it doesn't actually matter. The people don't matter. Yet, the reality that does matter isn't exactly one he's able to cling to, either.
Since Sasha has come back, Reggie is spared from having to really address that sense of loss again, which is something of a relief. He doesn't even mind that she wants to postpone seeing him due to illness, because it buys him time to reign his emotions back, more under his own control -- at least he didn't mind until he saw Sasha at school looking totally fine as far as he could tell, and if there's anything that can ruffle him in a hurry it's the idea he's being deliberately avoided. Not just that, either, but it's what eats at him the most throughout the day until he decides to find her after school and finally confront the situation. ]
Hey! Hey, Sasha! What the hell?

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It helps her take her mind off certain things — home, for one. Every time she's dared to think about it her stomach recoils and her head starts buzzing. Her heart races, too, leaving her feeling breathless and dizzy and nauseated all at once. It leaves her feeling skittish and unlike herself, something she's come to hate in the past couple of weeks — the lack of control she appears to have over herself since her return. There's nothing more she wants than to feel like her proper self again.
But that's not yet. When she hears Reggie from behind her, the inflection in his voice, and when she peers over her shoulder to see his expression she jumps and starts walking faster. ]
Wrong person. So sorry!
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Oh, hell no.
[ He mutters aggressively under his breath, brows bunching thickly with his frown as he grinds his molars and starts walking faster, too. ]
Sasha! I know that's you! [ He's not in as good a shape as he used to be, so she still maintains a decent lead on him for now. ] You think I can't tell when someone's ghosting me?! Sasha!
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[ She feels so embarrassed to have been caught like this in the open, but rather than do the sensible thing and turn around and face him Sasha keeps walking ahead. Maybe she should teleport and if he texts her later she can claim he was seeing a mirage.
The two of them and their strange, anti-climatic chase garners the attention of fellow schoolmates who pause whatever they're doing to stare. Sasha's shoulders pinch and she tries to sink her head down as much as possible before the attention is too much and she turns around, raising both hands to placate Reggie's vexation. ]
D-don't make a scene! Everyone is staring...
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She has a point, and he avoids glancing around so as not to feel embarrassed or self-conscious about the outburst, which to be fair took him by surprise probably almost as much as it did her... it had just sort of come out without him even thinking it through. ]
Fine. [ His voice is lower, body language tense but not aggressive, though his hands do shake a little as he tries to repress... whatever. ] So what gives? You get back and suddenly now you're avoiding me?
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No... it isn't like that.
[ She looks to the side to see some students still eyeballing them, whispering to each other. Her face reddens. ]
Didn't I tell you? I got very sick... I didn't want you or anyone else catching it.
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[ But by the time he looks back at Sasha a lot of the anger has fled his expression, replaced by something more like a sullen pout. ]
I know a brush-off when I see it, okay? You ain't exactly original. [ He pauses, glancing down at his feet for a long moment, then back up at her. ] We were fine before, weren't we? What's so wrong with me now?
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Nothing is wrong with you. It's not you. [ Not in that sense anyway. She wanted to tell someone, maybe get some of this overbearing guilt off her chest, but she can't shake that telling Laurie or Reggie will somehow alter their opinion of her for the worse. They might understand, they might not... and that's where she falters. ] W-we should talk somewhere private... there's too many people.
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Like I'm supposed to believe that. It's always me. [ He stares at her, trying to somehow gauge what her expression is supposed to mean. ] You got a better place then, or are we just gonna call it a day?
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We can go to my and Laurie's apartment. [ Her hand continues to shake, warm and somewhat sweaty now, as she takes his and holds onto it tightly. It's only for the next few seconds anyway. ] Um, hold tight. I'll teleport us.
[ She knows he isn't too fond of it, so she figures the heads up is necessary before she does it. ]
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So Kitty flings herself forward, like she's tripped, and falls in a way that looks like it hurts a hell of a lot. (It doesn't hurt.) And she lets out a high, keening cry of pain and misery, moaning - ]
Owww - ow, ow, oh, oh, it hurts....
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Under his breath, he hisses: ]
Shit. [ Then, to her: ] Are you... crap, okay, hold on.
[ Reggie carefully steps first over her, then over to her side, kneeling slightly to offer her his hand; he really doesn't have the time for this, but he's also still a little bit better than to just leave a crying, injured girl lying on the ground at night. He has to at least be better than that. ]
Come on, stand up. You're fine, I barely--
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Two options. Give me your wallet, or find yourself down one kidney. Have you got a preference?
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[ Reflexes a little dulled by now compared to what they used to be, it takes Reggie a few seconds to really, actually react. He's experienced a lot in his life, and even before the whole zombie mess that took over life back home he's certainly had his fair share of threats and/or fists aimed at him... but never a knife, let alone one being wielded by a girl who looks like she could have gotten separated from her girl scout troupe.
He inhales sharply, raising his hands up as if it were a gun she was holding and blinking a couple times while he tries to muster the ability to speak. ]
Ah-- wh-- all right, all right, don't-- don't do anythin' too crazy. [ Which means please don't hurt me. ] Wallet, but-- let me do it.
[ Because the only way this could be worse would be if she rifled through his pockets for him and stole his pills, too. ]
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[ Somehow, the thirteen-year-old girl manages to say that with a completely straight face and with an attitude that makes it clear she expects the answer to be no. And she looks fierce enough, cold enough, to almost sell it. Almost. ]
Which pocket? Left or right?
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So, clearing his throat, Reggie scowls in response to that fierce look she shoots him, though not the kind of scowl that suggests he's going to be fighting her on this; just that he still wants her to know that he isn't happy about it. He's made an art of that kind of aggressive passivity.
Also, he has to buy time while he unmuddles his head enough to think about the question for a moment. ]
R-- left. Can't miss it. [ His tone is dry, sardonic, but just compliant enough not to give her any excuse (he hopes) to stab him over. ] But just take the cash and leave the wallet, all right?
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Don't try anything, cooperate with me, and I'll consider it. How about that.
[ And then she starts to reach out...and then pauses. Still trying to sound gruff and terrifying, she barks at him: ]
Your left or my left?
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[ Come on, Reggie -- look alive, for pete's sake! He blinks a couple of times quickly, swallowing slowly. This is so stupid, what kind of loser gets mugged by a little girl? But even that feels beside the point; sure he's got his fake ID to think about, but there's also old photos and other articles of significance to him in that wallet that he cares about way more than the money.
Which, for Reggie, is saying something. ]
I mean, my left. And I got a pretty decent wad of cash in there, too, so just leave the wallet and you're welcome to it. No fuss or fight from me.
[ Though he'll sure continue on making faces. ]
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It's probably not the best reaction, all things considered, but he can't help the sympathetic wince on his face as he trots over to Reggie's side, hands held up in the universal awkward gesture that means dude I totally saw you wipe out, RIP Dignity. ]
Are you okay? That looked like it hurt. Man, that guy didn't even stop...
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[ Still in pain but also bizarrely flustered, Reggie waves off the stranger's concern as best he's able to -- there's a time and a place for milking sympathy from people, but when the source is an injury caused in part by your own clumsiness it's just embarrassing. At least nothing's been knocked out, which is the most important thing, but his face is still very red and not solely from the impact.
It doesn't help that this guy only looks even more strangely familiar close-up, but it's still hard to pin down why (aside from the fact he bears a loose resemblance to Reggie himself). Reggie glances over at him, eyebrows furrowed and biting the corner of his lower lip before he leans in just a little. ]
How's it look, though? I mean, nothing's swollen, is it?
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[ Dick taps his chin, the very picture of thoughtful concern. He tips his head to the side, examining Reggie's face with thorough dedication. Since he asked, and all. ]
I'm not a doctor, buuut... I'm pretty sure you'll get to continue being handsome. Still, though, you might want to get some ice on that quick so it doesn't get all... [ He holds his hands out to either side of his own face. ] Puffy.
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Sure, that's not the kind of thing that just gets knocked outta you -- and I'd know. Probably got a tolerance built up by now.
[ Then again, it's not like he'll ever see this guy again, right? Probably. Almost slyly, his eyes shift back. ]
You mind? It's not like I can see the damage.
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... Sure! I guess it's the least I can do.
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Though, to allow himself a fragment of emotional honesty, the concern was nice. Really, it's hard not to appreciate the thoughtfulness -- and, of course, the attention -- so long as it stays harmless; it's not often people bother when it comes to him, except in invasive ways that don't benefit anyone, but especially not Reggie. ]
Relax, I wasn't serious -- I mean, swelling ain't even usually a problem more than bruising anyway, so... [ He brushes his hair back, using the door's reflection to briefly comb it into place -- because gotta stay handsome -- then smirks vaguely back in Dick's direction. ] Reggie, by the way. Do I know you from somewhere?
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Ah well. ]
You could say that. [ He shrugs, a faintly guilty expression coming over him. He doesn't normally mind subterfuge when it's Dick versus Robin, but there's something, sometimes, that rubs him the wrong way about seeing a side of someone they didn't mean to show to him. ] Hi. Dick Grayson. Usually smaller.
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Wh-- wait, seriously? You look-- [ He tries not to look -- or sound -- too panicked. Totally normal conversation, that's all this is! Totally!! ] Uh... yeah, no kiddin' -- normally you're way too shrimpy to bother with. What the heck happened to you?