jeaniegrey: please don't take. (Default)
jean grey ([personal profile] jeaniegrey) wrote in [community profile] maskormenacelogs2017-09-02 09:18 pm

sweet dreams are not made of these ( closed )

WHO: Charles Xavier and Jean Grey
WHERE: dreamland aka the mind
WHEN: beginning of September
WHAT: Charles has been wanting to talk to Phoenix but is this really a good idea??
WARNINGS: None


[ The dream scene opens like any other.

Sunlight filters through the windows in the mansion of Xavier's School for Gifted Youngsters, the aroma of freshly brewed earl grey tea wafting through the air as two porcelain cups sit on saucers, the teapot nestled in the center of the round table with its knitted tea cozy on and biscuits laid out on a floral little dish beneath a lace patterned doily.

Jean sits there on the couch, legs crossed, strands of red flowing over her one shoulder, eyes gazing out the window. She's waiting for the Professor to clue in to her presence here within his mind, to come here and have a nice little chat over some tea and biscuits and it's only when the Professor does make his appearance in the room that she turns her head in his direction and smiles a little. ]


I was beginning to think you weren't going to show up.
aberranthubris: (First class: 22)

[personal profile] aberranthubris 2017-09-06 08:19 pm (UTC)(link)
[ It's not an unusual thing that two telepaths would meet under such circumstances and at first Charles thinks it's exactly just that, Jean inviting him for private discussion, to sit down for a while in the familiar setting even if it is just in one of their minds. It's still just as real to Charles at least.

He knows it's not real. Not only because he isn't supposed to be seeing the mansion now. Not if what Erik said would end up being true and he'd be sent back to the exact moment he was picked out from. And he wouldn't be aware if this would be it. But also because he's walking. He tends to revert back to walking and younger days in the headspace, never mind whose it is.

But it takes a moment for him to cue on the fact that this isn't Jean. He sits down on the worn leather of the couch and leans over to pick up the tea kettle, removing the cosy and pouring them both a cup. He offers the first one to Jean and looks into her eyes. ]


Thank you for the invitation, [ he says, then: ] Please, [ as he offers her the delicate cup and saucer, pink flowers hand painted on the porcelain. ]