Jonathan Crane (
restingstitchface) wrote in
maskormenacelogs2017-08-01 12:50 pm
I'm a whole lot of trouble, baby.
WHO: Crane and various imports. OTA!
WHERE: Maurtia Falls Memorial Library. Wayne Enterprises. Heropa. Plus more!
WHEN: Throughout August.
WHAT: A bunch of morally dubious actions.
WARNINGS: None anticipated: will be updated when necessary.
Wayne Enterprises, De Chima - Crane's office, for screening appointments and any consultations
Work. Pleasure. Both had lost their distinction over the years and now affected the same line of stimulation. His control. Patients had become guinea pigs, useful for medical experiments, easily manipulated and anesthetized for their deviant behavior. This kick was why Bruce Wayne had summarily employed attendants and assistants to guard him, rotated every hour. All were carefully vetted, and briefed with the necessity of keeping his interactions limited with people. The consequences of not following Bruce's plan of action were clear. One would collect Crane's visitors from the foyer and guide them into the lift, then down a series of familiar halls, but never more than that.
Crane swivelled in an old metal-and-wood chair, meditating on his next screening. His office, white-walled and flooded by sunlight, existed far from the most central part of the building. The silence is interrupted only by the constant clicking of a clock. No personal signs litter his space, except for a fully-stocked bookshelf. Both inside and out, each visit is recorded with an Orwellian level of surveillance. While Bruce doesn't trust Crane left alone, he certainly doesn't trust him with people.
Visitors can only choose the dented metal stool, wobbling on uneven legs, in an opposite arrangement before Crane's desk.
Compared to another imPort doctor, he gives no choices.
Wayne Enterprises, De Chima - Staff areas, for limited mingling and employee interactions
This austerity spread into his workplace, where the only thing that impressed him worse than people was the scope of Bruce's generosity. The employee's need for recreation was afforded by a company gym, a central library with books about technology, engineering and maths to name a few, and peaceful surrounds with courtyards, large open spaces and verdant trees that were curtailed by a parking lot. The lobby was accessible by all. It was a stylish hangout - a colorful interior of transparent paints and glazes and aluminium and gold leaves. Though the entire building had been carefully fitted with cameras, all keeping an eye on one employee. Bruce had told everybody that he believed such measures to be necessary.
On mornings when Crane comes in he confidently makes his way across the lobby with a spring in his step, eyebrows raised and gossip ringing in his ears. Some native staff fear him too much to speak to him, others respect him enough to keep their distance. They want to spend as less time with him as much as possible: a feeling that's mutual. He swings across the reception to recline in a chair, where he focuses on nothing but his newspaper. He sighs in a long-suffering way at any interruptor, then turns his attention back to his paper fully, eyes narrowed.
Staff may encounter each other in other areas. They're free to bump into Crane as well, but must remember his escort.
Wayne Enterprises, De Chima - Owner's office, closed to Bruce Wayne
"A bit hot, today." Crane said. His tone contained a measure of inquisitiveness but still held an element of boredom to it. He looked displeased. "Eighty nine degrees, they say."
The elevator door opened and people filed out before them. The lights inside glowed dimly orange, smartly elegant, including the thin strip lighting running around the edge. The panels beautified the art-deco interior: floor-to-ceiling orange-brown varnishings separated by silver and with skirting designed as leaves and fans. Elegant, impressive, nourishing and luxurious. It made him think of standing within the elevators of Gotham university, the minor details of his life as a psychology professor - a stark reminder of his past that was enough to paralyze him for a moment.
He followed Bruce inside after a instant.
"Are you comfortable in summer, Mr. Wayne?"
Maurtia Falls Memorial Library, children's literature section
He shows up to nurture vulnerable children just like he isn't supposed to. He even ensures that he shows up twenty minutes early - and he chooses suitable books before introducing himself. Whether he does so without invitation or not is fundamentally immaterial; he is going to read them real stories one way or another. Not that he is opposed to the concept of permission or anything, but he's made the choice that it just doesn't apply to him.
Now he clears his throat loudly and, without speaking a word, attracts the attention of his young audience. The sudden release of not providing a name is relieving; certainly as great as the one he gets from avoiding pointless small talk. He kneels down, pushing his body back as he goes, and takes a seat on a large bean cushion. By his reckoning it's too comfortable but it does him well in balancing the book on his knee. His thin fingers close over the top of it to prevent it from moving. Then when the clock strikes ten, he removes them and begins reading.
The story he spins doesn't shrink on gruesome and shocking detail. Far from being magical and comforting, it's macabre and grim - stuffed with murder and torture and other disturbing behavior. It might be a problem for those listening in.
Maurtia Falls Memorial Library, technology wing
As far as crimes go, talking in the library is the absolute worst. The grating sound bleeds into his ears and his brows furrow - and his eyes seemingly scrunch up when he finds the disturbance excruciating. One or two people notice his expression and have the good grace to turn silent. Others keep on laughing loudly as they normally would. Big mistake. Crane walks in behind them and rests a hand on the back of where they're sitting. He finishes swallowing the angry knot in his throat and menacingly lingers.
He also turns around to stare down people who are watching BlueTube without headphones, his expression severe and threatening.
Revīvēscere, Lounge Bar, Heropa
When next Crane visited Revīvēscere, Lucifer was gone and he was alone. It felt like he was visiting nothing but shadows and ghosts for a while, constantly avoiding her tables and patrons by using this logical reason and that logical reason, knocking his shoulders with theirs as they reached for different people. He occasionally glanced them looking in his direction and deflected them by glowering accordingly. Some looked appropriately chastised and others left him to be miserable. Who would look to start conversation with the man who looked to be the most dour in Heropa?
Except he wasn't. His love of theatrics, gesturing a hand, tapping his fingers, awaiting the moment he could give them a good tongue-lashing, made it impossible to find such people anything but funny. Individuals who join him in conversation might be in the dark about how he loves having them fall for it.
He twists his finger together before him at the bar. Watching clientele, bored. Is he trying to play new games? The risk somebody might rumble him isn't minimal. Not that he feels concerned by the weak consequences of that.
Brew World Order, Tea Shop, Maurtia Falls
Directly opposite the community noticeboard fixed to the wall - the kind that could quickly be detached and rearranged according to necessity - stood a bookish man. A few feet away from him, more to the centre of the room, was his table. The surface was freshly wiped, and being hit with a bit of light descending from an overhead lamp. He had a pot and cup of darjeeling and a stack of newspapers with notes scribbled all over them and a spoon and a sprig of mint.
"Ridiculous!" Crane throws his right hand upwards, and begins writing on the board. "Commas should never replace full stops, period."
Player's choice. Something different.
WHERE: Maurtia Falls Memorial Library. Wayne Enterprises. Heropa. Plus more!
WHEN: Throughout August.
WHAT: A bunch of morally dubious actions.
WARNINGS: None anticipated: will be updated when necessary.
Wayne Enterprises, De Chima - Crane's office, for screening appointments and any consultations
Work. Pleasure. Both had lost their distinction over the years and now affected the same line of stimulation. His control. Patients had become guinea pigs, useful for medical experiments, easily manipulated and anesthetized for their deviant behavior. This kick was why Bruce Wayne had summarily employed attendants and assistants to guard him, rotated every hour. All were carefully vetted, and briefed with the necessity of keeping his interactions limited with people. The consequences of not following Bruce's plan of action were clear. One would collect Crane's visitors from the foyer and guide them into the lift, then down a series of familiar halls, but never more than that.
Crane swivelled in an old metal-and-wood chair, meditating on his next screening. His office, white-walled and flooded by sunlight, existed far from the most central part of the building. The silence is interrupted only by the constant clicking of a clock. No personal signs litter his space, except for a fully-stocked bookshelf. Both inside and out, each visit is recorded with an Orwellian level of surveillance. While Bruce doesn't trust Crane left alone, he certainly doesn't trust him with people.
Visitors can only choose the dented metal stool, wobbling on uneven legs, in an opposite arrangement before Crane's desk.
Compared to another imPort doctor, he gives no choices.
Wayne Enterprises, De Chima - Staff areas, for limited mingling and employee interactions
This austerity spread into his workplace, where the only thing that impressed him worse than people was the scope of Bruce's generosity. The employee's need for recreation was afforded by a company gym, a central library with books about technology, engineering and maths to name a few, and peaceful surrounds with courtyards, large open spaces and verdant trees that were curtailed by a parking lot. The lobby was accessible by all. It was a stylish hangout - a colorful interior of transparent paints and glazes and aluminium and gold leaves. Though the entire building had been carefully fitted with cameras, all keeping an eye on one employee. Bruce had told everybody that he believed such measures to be necessary.
On mornings when Crane comes in he confidently makes his way across the lobby with a spring in his step, eyebrows raised and gossip ringing in his ears. Some native staff fear him too much to speak to him, others respect him enough to keep their distance. They want to spend as less time with him as much as possible: a feeling that's mutual. He swings across the reception to recline in a chair, where he focuses on nothing but his newspaper. He sighs in a long-suffering way at any interruptor, then turns his attention back to his paper fully, eyes narrowed.
Staff may encounter each other in other areas. They're free to bump into Crane as well, but must remember his escort.
Wayne Enterprises, De Chima - Owner's office, closed to Bruce Wayne
"A bit hot, today." Crane said. His tone contained a measure of inquisitiveness but still held an element of boredom to it. He looked displeased. "Eighty nine degrees, they say."
The elevator door opened and people filed out before them. The lights inside glowed dimly orange, smartly elegant, including the thin strip lighting running around the edge. The panels beautified the art-deco interior: floor-to-ceiling orange-brown varnishings separated by silver and with skirting designed as leaves and fans. Elegant, impressive, nourishing and luxurious. It made him think of standing within the elevators of Gotham university, the minor details of his life as a psychology professor - a stark reminder of his past that was enough to paralyze him for a moment.
He followed Bruce inside after a instant.
"Are you comfortable in summer, Mr. Wayne?"
Maurtia Falls Memorial Library, children's literature section
He shows up to nurture vulnerable children just like he isn't supposed to. He even ensures that he shows up twenty minutes early - and he chooses suitable books before introducing himself. Whether he does so without invitation or not is fundamentally immaterial; he is going to read them real stories one way or another. Not that he is opposed to the concept of permission or anything, but he's made the choice that it just doesn't apply to him.
Now he clears his throat loudly and, without speaking a word, attracts the attention of his young audience. The sudden release of not providing a name is relieving; certainly as great as the one he gets from avoiding pointless small talk. He kneels down, pushing his body back as he goes, and takes a seat on a large bean cushion. By his reckoning it's too comfortable but it does him well in balancing the book on his knee. His thin fingers close over the top of it to prevent it from moving. Then when the clock strikes ten, he removes them and begins reading.
The story he spins doesn't shrink on gruesome and shocking detail. Far from being magical and comforting, it's macabre and grim - stuffed with murder and torture and other disturbing behavior. It might be a problem for those listening in.
Maurtia Falls Memorial Library, technology wing
As far as crimes go, talking in the library is the absolute worst. The grating sound bleeds into his ears and his brows furrow - and his eyes seemingly scrunch up when he finds the disturbance excruciating. One or two people notice his expression and have the good grace to turn silent. Others keep on laughing loudly as they normally would. Big mistake. Crane walks in behind them and rests a hand on the back of where they're sitting. He finishes swallowing the angry knot in his throat and menacingly lingers.
He also turns around to stare down people who are watching BlueTube without headphones, his expression severe and threatening.
Revīvēscere, Lounge Bar, Heropa
When next Crane visited Revīvēscere, Lucifer was gone and he was alone. It felt like he was visiting nothing but shadows and ghosts for a while, constantly avoiding her tables and patrons by using this logical reason and that logical reason, knocking his shoulders with theirs as they reached for different people. He occasionally glanced them looking in his direction and deflected them by glowering accordingly. Some looked appropriately chastised and others left him to be miserable. Who would look to start conversation with the man who looked to be the most dour in Heropa?
Except he wasn't. His love of theatrics, gesturing a hand, tapping his fingers, awaiting the moment he could give them a good tongue-lashing, made it impossible to find such people anything but funny. Individuals who join him in conversation might be in the dark about how he loves having them fall for it.
He twists his finger together before him at the bar. Watching clientele, bored. Is he trying to play new games? The risk somebody might rumble him isn't minimal. Not that he feels concerned by the weak consequences of that.
Brew World Order, Tea Shop, Maurtia Falls
Directly opposite the community noticeboard fixed to the wall - the kind that could quickly be detached and rearranged according to necessity - stood a bookish man. A few feet away from him, more to the centre of the room, was his table. The surface was freshly wiped, and being hit with a bit of light descending from an overhead lamp. He had a pot and cup of darjeeling and a stack of newspapers with notes scribbled all over them and a spoon and a sprig of mint.
"Ridiculous!" Crane throws his right hand upwards, and begins writing on the board. "Commas should never replace full stops, period."
Player's choice. Something different.

Tea Shop
That is, until Crane's exclamation compels him to glance up and he pauses, watching the posturing with increasing amusement, tea shops not generally being a venue for entertainment.
He waits for the other man to finish his 'corrections' for the most part, only then interjecting an opinion of his own. "Unless you're using a quote with a period, but don't wish to end the sentence," he says, his accent German, his English precise.
no subject
Reaching up on his toes, he continues amending incorrections rather than returning to his table. It's something of a miracle he remembers he's speaking with anyone at all.
no subject
He continues to watch Crane, finding him interesting, entertainment factor aside, eventually remarking- "Perhaps you should seek employment here as a message board consultant. Clearly there's a need."
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Brew World Order
Dooku is seated to toward the edges of the room, lurking in the shadows of a booth in the back. He raises an eyebrow as Crane writes on the board, and speaks out, his deep voice cutting through the clatter of cups and the din of conversation.
"Feeling passionate about community matters today, Doctor?"
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"I am always passionate about community matters." His voice isn't as deep, a fact he's painfully aware of - but he sure knows how to cut through any racket.
His face hardens and he tears a paper off the board. He folds it over and tosses it in the hole in the counter below; a bin.
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The Count rises from his seat like smoke from the ground, his interest attracted by whatever has Crane so exercised. He abandons his tea for the moment, and crosses the space to the community board in a few long strides, standing beside Crane.
"And what, may I ask, was that paper's crime against good taste?" He inquires with an idle air, glancing downward into the garbage hole.
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Library
But instead he is rather shocked by what he hears this man reading in the library to the riveted audience of half terrified children. He's not even half through with his story before Charles interrupts.
"Excuse me but aren't you a little confused of your audience? I imagine there are more appropriate stories to read to the young minds of future generations."
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"It would be an injustice to forbid them from any colour in what they're hearing." When he turns a page, he totally blanks the man. But his presence feels like a hand at his throat. "What child ever cries for the death of Hansel and Gresel's witch? I suppose you're the one with the problem more than any child who just wants a good story."
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He feels strongly about this. Yes, because he didn't have a choice in the matter, neither did his parents or anyone he hadn't told to that he could hear all those thoughts without even trying, macabre and grim, disturbing and frightening. He was a little thief with invisible ears. And it made sure his childhood ended much too early.
"I doubt that the parents of these children have agreed to these stories that you are reading them. Or the staff of this library."
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library
Where, somehow, they were somehow waiting for him, a group of three teenagers asking pointed and personal questions about his mural, his home world, and his various romantic entanglements. The artist is saved by Crane and his icy glare, the kids bolt up from their seats, straight as an arrow when they meet eyes with him, and back off slowly, whispering to each other about who knows what.
"...thank you," Yusuke says, in a hushed, library-appropriate tone, bowing his head politely.
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"You're welcome."
A minute passes. Three. Six. Then he carefully lays his book flat and scrutinizes Yusuke's face. The effort diverts his attention from other young people - a good thing, honestly. He has no interest in them.
"You're the young gentleman I met at Fanport, am I right?"
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He isn't having any luck finding his mentor or his work, and he isn't sure whether he should be disappointed or relieved. Yusuke's instinct leans towards the latter, but even that makes him feel a little guilty. By the time Crane speaks to him again, the stack in front of him is significantly whittled down.
"Ah, yes, I believe so. You are interested in the collective unconsciousness, if I recall?"
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Wayne Enterprises, Owner's Office
[Bruce enters past Crane and quickly takes a seat at his desk, and immediately begins to look over some paperwork his secretary had left on his desk for him while he was away. He's not interested in small talk. He knows Crane isn't interested in small talk. It'd be a curiosity if Jonathan were actually attempting to make normal conversation, but he's not. They're not there yet. Crane only wants to criticize small talk with pretentious satire.]
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He smiles wanely and seems to completely lose his train of thought from the present. But he eventually turns around in a gentlemanly fashion to see how far along Bruce is in his paperwork.]
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Find anything interesting?
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sorry for the wait orz
no problem
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Library
On her way past she notices Crane. He didn't look too pleased at the behaviour of some of the patrons, and well, she wants to watch the drama unfold. Maybe out of dislike for the man or maybe because Bela found it damn entertaining.
"You should be compensated for your time, Doctor." Bela states, stopping by the table where the loudmouths were. "For trying to keep the peace."
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Crane turns around and removes his hand from the chair of one patron who'd noticably decided to jerk from shoulder to crown. He rests a palm on the boy's shoulder and pushes him back down when he tries to escape.
"You know, I think I agree with that."
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Library, Children's Lit
...which puts her in the perfect position to overhear Crane's grim story. She perks her head up immediately, not quite sure if she heard right. The mention of flowing blood grabs her attention, but even if she had not heard it, the childish squeals that follow would be impossible to miss. What the heck kind of story is he telling these kids?! Well, she's not going to keep that thought to herself. Utena steps towards the story time circle, and says, "What are you-"
She stops, blinking as she actually looks at the children. Despite the squeals and chorus of ewwws that she heard, there's not a single sad face in the tiny audience. There are no sobs and there are no tears. There's just a group of very confused children staring up at her.
"...reading..."
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"You're welcome to listen," he says. His tone contains an element of boredom to it.
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Carl, for the most part, was ignorant of the videos - he barely pay attention to social media after he quit his job in the animal shelter in Heropa. But he did hear the noises from the tinny speakers of the laptops - and Carl, who was visiting the library simply because he was curious as to what Maurita Falls had to offer - turned his head around as he passed by the people who were muttering excitingly at the fight. Then he saw himself in the computer screen, and he stood still, looking over the shoulders of the young men, watching the fight between Carl and his clone.
He was so riveted by the scene, of he watching himself fighting himself, that he didn't even notice Crane and his annoyance with the loud busybodies.
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He closes his eyes and tried to focus on nothing but the table, which he scouts with his hands and leans on for support when he levers himself into standing. He breathes in. He breathes out. He does nothing but watch the chatter continue for a short time. Whatever he is thinking of - whatever is the cause of that darkness on his face - it isn't around for long. He throws a magazine at the back of their heads, not caring in particular whether it hurt them or not.
It might teach them to mind their manners.
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Revīvēscere
"You look like you just got dumped," he said, announcing his presence by being a jerk, as usual.
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He sits there in silence for several more seconds. He thinks about a great many happier things while Adachi imposes his presence, fluffing himself up with his pointless talking. His eyes begin closing as his fingers slide together, before deciding to part and he lays them either side of his drink, palms down against the grain.
"And you look like you don't care for manners," he responds, willing him to sit down with a gesture.
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HERE I AM THE LATEST
He knocks on the door - two knocks, made sure he got in faster than he did last time.
"Crane?"
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He closes his eyes and tries to focus on anything but the casual way the man's just taken his name in vain.
"Morning. Try to take a seat before you hurt yourself rushing like that."
Welcome to the rickety stool, Archie.
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